ROLEXROLEXROLEXROLEXROLEXROLEXROLEXROLEXROLEXROLEXROLEXROLEX
9 July 2018, 09:59 PM | #31 | |
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Not all press images on their site are misaligned, either. They seem to be paying more attention now that people are scrutinizing every detail online. |
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9 July 2018, 10:13 PM | #32 | |
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9 July 2018, 10:52 PM | #33 |
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Several of the images (I’ll stop short of saying photo) are cobbled together with powerful graphics manipulated to produce what Rolex wants to display.
One, for example has impossible sidelighting from 4 different directions based on the reflections in the images However, the true story is not the imagery - it’s how they manipulated the materials to produce some novel color combos. I also noted that they now have 2 browns: the original chestnut for the Platona and now the different brown for the new GMT. I wonder how many blues exist now? Like the Subs vs. the YMII vs Pepsi. What that tells us is the single colored ceramics derived by the material in the mix yields one hue while the two tone colors created by altering a single color with an aqueous solution containing different metal salts. This seems to produce different hues of the same named color than the single colored ceramics. Also this solution is applied by hand so you do still run the chance that there could be accidental QC issues down the road. For example, a service insert made in 2050 for a Ceramic Pepsi originally produced in 2018 may look different. Improved fabrication techniques for the materials might yield some interesting bezel discussions by our grandchildren. Sent from my iPhone using Tapatalk Pro
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9 July 2018, 11:03 PM | #34 | |
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9 July 2018, 11:25 PM | #35 |
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Can someone shed more light on the “myth” that Hublot actually manufacturing all the ceramic bezel for Rolex?
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9 July 2018, 11:33 PM | #36 |
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Thanks for posting. I use Flipboard so was able to follow Rolex. Good article on the new DSSD.
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9 July 2018, 11:34 PM | #37 | |
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My SD43 and ‘18 DSSD look just like that. I think the DSSD much be a bit better but both off to the right like that. |
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9 July 2018, 11:42 PM | #38 | |
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Good point. For any Flipboard users (its an article aggregator that puts articles together into virtual magazines on your iPad or iPhone), the Rolex magazine seems to have gotten a lot more robust. It’s worth subscribing to (and it’s free, as is the flipboard app). Sent from my iPhone using Tapatalk
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9 July 2018, 11:42 PM | #39 | |
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Parallax error explains the appearance of misaligned dial/rehaut in web photos, although it's certainly possible that some dials have been misprinted and therefore don't align perfectly with the engraving. The more common issue seems to be ceramic insert alignment with the bezel. While I've never personally owned one that was misaligned, I've certainly seen a fair number in owners' photos. |
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9 July 2018, 11:42 PM | #40 |
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Thanks for sharing
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10 July 2018, 12:27 AM | #41 | |
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The dial is attached to the movement, which is installed inside the case. The engraved rehaut is simply the inside lip of the case. If the movement is installed and clamped down ever so slightly to one side or the other, the marks misalign. Should be a simple fix for a watchmaker. One of the reasons I like the vintage models with no markings! |
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10 July 2018, 03:58 AM | #42 |
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So cool! Thanks for sharing. Seen info on this before but nothing with this amount of detail.
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10 July 2018, 04:18 AM | #43 | |
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'There is only a way' - although in this case you appear to suggest that it's possibly the wrong way :) Sent from my iPhone using Tapatalk |
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10 July 2018, 04:33 AM | #44 |
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That misaligned crown in the rehaut would drive me insane.
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10 July 2018, 06:50 AM | #45 | |
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The process is well documented in the file the OP posted. “The two-colour Cerachrom insert in blue and black ceramic is a blend of zirconia and a blue pigment. Before sintering, a solution containing different metal salts is applied by hand to the upper half of the insert (running from 18:00 to 06:00 on the 24-hour graduation). When heated, the salts react with the blue pigment to create a new black colour.” “The Cerachrom insert in red and blue ceramic required a different approach, and new techniques were developed. In order to change the ceramic from red to blue, an aqueous solution containing cobalt must be used. This reacts with the alumina and chrome present in the ceramic, turning it blue during sintering. The pigment impregnation process calls for great delicacy and precision. A method was therefore specially developed to control the amount of solution delivered – which determines the opacity of the colour – and to provide a consistent, uniform result.” Sent from my iPhone using Tapatalk Pro
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10 July 2018, 07:10 AM | #46 | |
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A few years ago Rolex invited a few journalists a rare look inside of the facilities. From what I gathered reading those in depth articles is that Rolex is completely mad about producing everything they can in house, they go so far as to have their own gold foundry and melt and mold all of the gold in-house Hodinkee did a great write up about their visit, and mentioned "One thing it does not make, however, are the hands – which come from a supplier called Fiedler SA – and crystals." Here's a link to the Hodinkee article, a great read https://www.hodinkee.com/articles/inside-rolex |
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10 July 2018, 07:17 AM | #47 | |
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Someone on the forum has posted a few pics of their broken Pepsi ceramic bezel insert. It literally came out in 3 separate pieces and interestingly it clearly showed a sheer line fracture through the insert in plan. There was a partial delamination at one of the breaks from the red ceramic and blue ceramic. It clearly showed the layers of different colours. Rather like a delamination of plywood veneers. I believe it was the first indication that any one had seen as to how they actually got the bi-colour effect. It was an eye opener as the uninitiated would just naturally assume the bi-colour was formed by a simple butt joint right at the change of colour. It was very interesting, and gave an insight into just how complex the process actually is |
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10 July 2018, 07:19 AM | #48 | |
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10 July 2018, 08:07 AM | #49 |
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I’m sure those who perform this excruciatingly precise detailed work feel like robots at times.
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